{ Under The Bluegums }

A personal blog with craft tutorials, reviews of books, films, and music, parenting advice, and opinions on society and politics.

July 21, 2016

DIY || Origami Crane Mobile

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Just after Emma was born I was obsessed with folding paper. I think this image was to blame and my idea was that I would fill the entire ceiling with origami cranes.

While I didn't get around to decorating the entire ceiling with cranes, because it slowly filled up with glow-in-the-dark stars and planets and mobiles from family, I did make an origami crane mobile hanging from a dreamcatcher.

I made two, one for my niece, which had the cranes spiralling around a centre point, and one for Emma. I wanted the latter to be random as though the cranes were flying all over the place. Sort of like it would have been had I followed through on my idea.

What you'll need for this project:

Origami cranes (I made mine out of magazine paper to add colour, but you can use origami paper or plain printer paper, too. Follow these instructions on Wikipedia to fold an origami crane.)
A steel or wooden embroidery frame
Yarn (I used DMC tapestry wool)
Clear beading thread


First, you will have to wind the yarn around the embroidery frame. Try to wind it as tightly as possible to cover the frame. Start by holding the thread on the frame with your thumb and wrap the yarn over this thread to keep it in place. When you are finished wrapping, use a sewing needle to pull the yarn through some of the loops.

Making the dreamcatcher:

First tie a knot on the frame with the yarn, then place the yarn over the frame at the position you would like the web to begin.
Pull the yarn under the frame and downwards.
Pull the yarn under and over the starting thread...
...pulling tight to create an anchor. Continue in this way all around the frame...
...and as you continue in the centre of the frame to create your web. Pull the yarn quite tightly to ensure that the web keeps its shape, and then knot it in the centre with a slip knot. You can also add a bead in the centre if you like.

Making the mobile:

The length of the thread the cranes will hang from depends on the effect that you would like. If you would like the cranes to hang uniformly around the frame, cut the threads the same length. If you would like the cranes to spiral around the centre, cut each thread longer than the last. It will take longer if you would like the cranes to fly haphazardly around the frame, since you will have to hang the frame up and position them as you see fit, adjusting the length of the threads as you go and ensuring the frame remains balanced.

The most difficult part, however, is pulling the thread through the centre of your cranes without tearing them. You will be pulling the thread through the middle of the bottom of the body and through the top. The easiest way to prevent the thread from pulling through the crane at a later stage is to put a bead at the bottom. You can also knot the thread several times, securing it in place with some clear nail varnish. Secure it in the same manner where you join the crane to the yarn of the dreamcatcher. Drop a bead or two into the cranes if you're having trouble balancing everything out.
I would love to see your efforts!

July 14, 2016

Addendum: Movie Review || Rosemary's Baby (1968)

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Facebook/Rosemary's Baby
After reviewing the television miniseries reboot of 'Rosemary's Baby', I have finally watched the original and absolutely agree with everyone who says that it is much creepier than the reboot. The direction, the actors, and even the music all contribute to make this film feel much more complete and well put-together than the television miniseries.

Firstly, the music: Oh my word! 'Rosemary's Baby' is supposed to be a horror movie, or at the very least a thriller, and it felt to me, after watching the 1968 version, that those behind the reboot had completely forgotten the importance of the soundtrack in creating tension and communicating terror to the viewer. If I have to think back on the miniseries, there is not one moment that stands out because of the music. In contrast, the original is filled with notable pieces that only add a greater depth to the film. Take the first and last piece (which are the same): the almost robotic way the mother is singing a lullaby is freaky in itself. The most thrilling piece of music is that employed when Rosemary attempts to escape from Guy and Doctor Sapirstein: the notes become faster and higher reaching a crescendo just as Rosemary manages to shut the door on them and end their pursuit. Then there is also the use of absolute silence, such as when Rosemary is in the dream sequence: the only noise is Rosemary's own plaintive cries that, 'This is no dream!'

Facebook/Rosemary's Baby
Secondly, the cast was much better for the story that was being told. The film follows the novel in this area and as a result Ruth Gordon's Minnie is the ideal annoying and pushy neighbour. At no point do we come to suspect that she and Roman's intentions are untoward in any way, at least until she appears unclothed in Rosemary's dream, and even afterwards she is not pushy enough to make Rosemary suspicious. John Cassavetes as Guy is also perfectly sleazy for the role. Whereas Patrick J. Adams seems too disinclined to put his needs first and leaks with remorse as soon as the process of impregnating Rosemary has begun, John has an air of selfishness and narcissism that makes the possibility that he could allow what was done to Rosemary much more likely. Of course Mia Farrow is extraordinary in this role: she is almost too angelic to be real, but little nuances such as the way she pulls her face when Minnie brings the mousse makes her feel more real.

Facebook\Rosemary's Baby
Thirdly, I love how the story is that much more simply put through Roman Polanski's direction (Isn't it odd that he shares the name of the main witch, Roman Castevet?) It holds your attention through simplicity and did not have to resort to excessive gore or obvious fright to maintain it. The fact that the couple are in a city they are familiar with, speaking a language they know, and not surrounded by strangers makes the fact that Rosemary didn't catch on sooner completely plausible, whereas the foreign setting in the reboot should have made her that much more suspicious and less quick to trust strangers.

While it is difficult for me to pick which I like most, since I like aspects of both versions, the original certainly has top place for being the chiller the book deserved, while the reboot has top place for the chemistry between the lead characters.

If you've seen both films, which did you like more and why? Please comment below and let me know!

July 12, 2016

Special Guest Post: 5 Great Books We Could All Learn Something From

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The power of the written word is a magical one; through tales, we are given the opportunity to live vicariously and learn valuable lessons that we could never otherwise be exposed to. However, this is a scale, and some books are by far more enlightening than others.

This is a list of five truly life-changing texts, which will question the way you see the world and give you a truly unique insight into some of the biggest questions that plague our existence.

They’re all available on Amazon, but if you’re an international reader and are having trouble gaining access, then it might be due to geo-blocking in the country you’re in. You can circumvent this by using a Virtual Private Network. Check out this Secure Thoughts review for more information.

1. The Prophet – Khalil Gibran

The life lessons and ideas are too numerous to summarize in such a short space, but this masterpiece by Lebanese-American writer, Khalil Gibran, harks back to the spiritual poetry of the ancient Persian world. Written in 1923, it’s one of the earliest examples of inspirational fiction.

The story is that of Almustafa, a well-liked yet mysterious outsider who resides in the foreign city of Orphalese. When one day a great ship arrives on the horizon, the townspeople sense that the cherished, enigmatic presence of the prophet might soon be gone. Before he boards to leave, Almustafa serenades the town’s people with some essential life advice, broken down into 26 essays throughout the book.

It’s a unique and succinct format and delves into valuable questions and ideas about love, marriage, giving, work, freedom, pain and much, much more.

2. Wild: An Elemental Journey – Jay Griffiths

There is an ancient wisdom in this world that most of us have forgotten. Indigenous tribes all over the planet hold skills, knowledge and a connection to most wild veins of existence that have been lost in modern society.

This fantastic release by Jay Griffiths documents her epic adventure to all four corners of our planet to stay with some of the world's most remote tribes. It's a passionate search for the true nature of the human spirit and an illuminating reflection on the impact of industrialization on our world and our souls.

Oxford educated, Griffiths addresses history, geography, etymology and philosophy to form an argument that never preaches but merely enlightens readers to the hidden secrets of the social microcosms that exist in the wildest reaches of our world.

3. The Tao of Wu – RZA

What happens when urban street-smarts meets ancient Shaolin wisdom? Robert Diggs (a.k.a RZA) was born in the projects of inner-city New York but moved all around the country throughout his turbulent childhood. Never finding much luck in his family and home life, he turned to knowledge to free his mind from the strife.

Although an esteemed chess player and mathematician, Diggs still spent much of his youth gang-affiliated and into drugs. Throughout this time he searched the scriptures of many religions and philosophers to escape from this world. Finding solace in the spiritual ideals and morals of Kung Fu films, he finally found his key to freedom in music, cementing international success and forming one of the most well-known rap groups on the planet.

This book structured into the “Seven Pillars of Wisdom” documents his spiritual journey and the valuable lessons that every facet of his life taught him. From Brooklyn to the Wudang mountains in China, Diggs' reflections are a truly wonderful insight into life as we know it.

4. The Monk Who Sold His Ferrari – Robin Sharma

Ex-lawyer turned self-help writer Robin Sharma is a shining example of practicing what you preach. Somewhat reflecting his experience - although the limits to where it becomes fiction are unknown - Sharma tells the story of John, an over-stressed and uptight lawyer.

One day John’s colleague, who left work recently after suffering a heart attack, makes a surprise return as, seemingly, a whole different man. Appearing at John’s house one night, dressed in traditional orange robes, Julian Mantle divulges that he’s been staying with monks in the Himalayas.

John listens in awe as he recounts the many secrets to good living and long-life that he's learned from the Monks and provides practical examples of how the reader can translate this into their day-to-day lives.

5. The Zahir – Paulo Coelho 

From the author of the world-famous 'The Alchemist', this equally poignant release also brilliantly explores some of the most philosophical questions of life as we know it.  The word “Zahir” itself is an Arab concept, meaning the external or obvious. In Coelho's book, it refers to his obsession with his wife, who up and leaves out of the blue one night.

Their relationship was not a good one, but without her, his whole word changes. His search to understand why she left and discover just where she is takes him all over the globe and into some of the most abstract echelons of society. From homeless people on the streets of Paris to native villagers on the Kazakhstani steppe, readers are illuminated with a whole host of unique perspectives.

This book has some crucial lessons to teach about marriage, but also how we view ourselves, as individuals, and as part of society.


Know of any others that deserve a spot on this list? Be sure to leave a comment below. We’d love to hear your ideas.

About the Author: Caroline is an entertainment blogger for Culture Coverage. She loves books and has spent her whole life immersed in their pages. She loves sharing her favorite novels with others and always has a great recommendation on hand, no matter the situation!

{Main image credit: Flickr/See-Ming Lee (CC BY-SA 2.0)}

July 8, 2016

Addendum: Movie Review || Rosemary's Baby (2014)

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After reading the novel recently, I decided to binge on the miniseries version of 'Rosemary's Baby' and I have to correct my previous statement that the novel and film were exactly the same (I have not seen the original directed by Roman Polanski and it is on my to-do list!). The miniseries version might not have the same creepy tension as in the novel, but it is noteworthy for the impressive modernisation of Rosemary's context and situation, and a more macabre view of Rosemary's destiny.

In the novel, Rosemary and her husband happen to be lucky enough to lease an apartment in the Bramford in New York City and thus simply happen to become involved in the plot to birth the Devil. In the television version, however, the setting is the more romantic Paris and the building is La Chimere, and the Woodhouses are practically led by the bull-ring to become involved in the plan: Rosemary is literally chosen to become the vessel for the anti-Christ and the Castevets do everything in their power to get the couple to stay in La Chimere, be absolutely indebted to them, and entirely under their influence. In this way, the film has a different creepiness to the original story, and the witches of the building have a supreme power that is not revealed quite so much in the novel.

I enjoyed the alterations to the context of Rosemary's story. Paris and its long history make for a more historical basis in witchcraft, although the existence of a coven in New York City is more unexpected. Of course, Paris allowed for the beautiful scene just before Rosemary discovers she is pregnant where she is surrounded by the consecrated skulls of the dead in the catacombs and falls into a precipice - a metaphor for the loneliness she is destined to feel in the hands of a coven and as the mother of a history-changing child.

In the television series, Guy is no longer dreaming an outdated dream of becoming an actor - he wants to write. However, his writer's block seems to have been brought about by Rosemary having a miscarriage. The couple have run away from this reality to Paris. This modern viewpoint was perfectly suited to the story, as is the couple's isolation in Paris, far away from home and even from many people who speak English.

I also enjoyed the sinister representations of Roman and Margaux Castevet, the leaders of the coven. Their true evil is shown through the 'freak' accidents they cause against those who appear to be placing stumbling blocks in the path of their ultimate plan. I loved the hallucinatory effect of their spells against Commissioner Fontaine, for example, and in this scene, the casual manner in which Roman carries out the spell is an excellent touch. I did think the violence was a little gratuitous, however, and it made the deaths all seem very odd instead of strange-but-not-strange-enough-to-make-it-obvious to the main players that something untoward was going on.

I mentioned in my review of the book that it was a bit of feminist novel for its time, bemoaning the lack of control women had over their own bodies. I enjoyed Zoe's Rosemary argue with everyone around her about her bodily autonomy and right to choice, but the film did not make the control the coven had over her feel as dire as it could have been. Perhaps it is because most people nowadays know the basics of Rosemary's story - it has become a pop culture icon - that her situation simply isn't a surprise. It doesn't help either that revelations as to what Rosemary is in for are suggested right from the beginning of the film and thus the subtle scariness, the mystery, of the story is lost, even for those who have never read the book or seen the original film.

I know that technically this version of 'Rosemary's Baby' is a remake, but I haven't seen the original so I cannot comment on how good it is compared to that (yet). All I can say is that I enjoyed most of the changes from the book but found that there was a lot less mystery for the viewer than there was for the reader, making the story a strict horror instead of a thrilling ride.

July 7, 2016

How Did We Finally Finish Off Our Shower? Find out!

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We finally finished redoing the shower around six months ago. I've taken a long time to complete the final details, though, and have finally put up the new curtains. I'm happy with the way it turned out and just need a final piece of art to hang over the towel rail and I have a great idea for the lampshade, both of which I keep procrastinating over. :)

For a while we considered leaving the failed SatinCrete as is - it sort of looks like a (very badly done) paint technique - as we liked the basic colour (We chose the Sage for the shower room, though it looks grey in the photos and didn't even look like the sample). However, with all the other fixing that needed to be done we would not have been able to emulate the finish. Thus a new paint job was our chosen option.
Clockwise from top left: The finish of the wall - really horrible in these images; the loose plumbing at the toilet (the showerhead was similarly loose); and the poor plaster work for the shower.
Clockwise from top left: The finishing around the air brick was untidy;  the plastering around the window - the sill also sloped towards the window instead of outward; and the finished look of my beautiful pebbled floor. They had put so much sealer on the wall at once that it actually ran down the wall and pooled on the floor.
The first thing we did was sand all the walls down, as the finish was very rough. Then we took out the (very lopsided) basin. 
You can see why the basin was so lopsided...
...as they made a massive hole on the left hand side with a massive bolt. Upon closer inspection, they even secured the bolt with - sticks!
Of course, the original plumbers had put so much silicon sealer between the basin and the wall that we loosened all the SatinCrete in the area and had to smash it out, fill it up with plaster, prime the plaster, and then paint. I was not happy with the finished result, as it was too rough compared to the remaining SatinCrete, but since it's around the basin it shouldn't be too noticeable. Besides, I had a plan...

As we don't know how to do plaster work, we had a guy named Steven come in and do it for us. He did a great job on fixing the windowsill, ensuring it slants towards the shower instead of the window, on the step, and where the old basin was. He also fixed the loose plumbing and did the mosaic on the side of the shower step for us. He was also kind enough to paint. (Sheesh, that makes me sound so lazy!) I decided to paint with a brighter colour scheme and I was skeptical at first, but it has grown on me. I also redid the grout on the mosaic, too, so it looks much neater.

Once I fitted in the new basin, I got to work with the back-splash. I wanted to go for a look that emphasised natural materials. I had some leftover mosaic pebbles, which I removed from their backing and came up with this shell design:
After that, all I had to do was add the decor I had purchased for the room ages ago. And here is the end result, including shells and natural materials:
I'd love to know what you think!?

July 5, 2016

Book Review || Miss Smilla's Feeling for Snow by Peter Høeg

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'Miss Smilla's Feeling for Snow' is full of promises, and so are its rave reviews. We meet Smilla as she attends the funeral of her six-year-old neighbour, Isaiah, who fell from the roof of their apartment building in Copenhagen. We discover that Smilla, a Greenlander, has a unique sense of her world in relation to the dozens of types of snow that exist in the Inuit language. Using this sense and her own intuition, she comes to believe Isaiah's death was no accident and she uses her stubborn resourcefulness to uncover the truth.

We follow Smilla Jasperson through the most intricate story I've ever read. We are thrown from the present to the past to scientific explanations to philosophical musings to treaties against Western culture and colonialism to nostalgic longings for the past. And somehow it is still possible to follow the thread of the plot through all the distractions.

We eventually learn about all the different types of snow and how Smilla is unique in her talent for navigating through ice. We are, however, never party to these skills aside from her own musings into how she had done so in the past. When she is confronted with ice or snow or cold, she explains every detail about how it is created. Smilla's skills and knowledge are an excellent device to keep her grounded in her own culture - she at once rails against the Danish way of life and its destruction of her culture and depends on it for survival - but her constant return to her instincts is a way for her to affirm her heritage.

Høeg's innate sense of beauty is extant in the simplest of descriptions, from the 'eiderdown' of snow that lays over Isaiah's body to statements about love and life:
'For the first time I notice how burdened the room is with the past' [76]
In another review, it was stated that Høeg's sympathy for the Greenlander was questionable, and that he appeared to be more devoted to American culture as seen through the details of the plot, which include the likes of conspiracy murders, scientific discoveries, smuggling, and all-powerful corporations. However, I feel the empathy is most definitely there. Smilla is isolated, lonely, depressed. Her constant thoughts of the past, her musings about how disappointing Western culture is, about how her people and herself are judged according to Western standards, little details about how life was so different in her homeland, these details create a nostalgia for a simpler life. He bemoans the fact that Western culture does not experience things for itself but lives in the belief and faith we have in others who tell us things are so. One of my favourite phrases is:
'What we discover in nature is not really a matter of what exists; what we find is defined by our ability to understand.' [392]
'Miss Smilla's Feeling for Snow' is definitely a beautiful novel. But does it deliver on its promise? Well, if you're looking for an actual ending, a resolution to all the tension you feel from page to page, you'll be disappointed. While the mystery is solved, the ending is much like 'Inception', where we're left to resolve our own ending.

I would also like to add that Smilla is not a particularly likeable character. And this makes her endearing to me. Intelligent, ingenious, and multiskilled, she is sarcastic, frank, and sometimes downright mean. But this is a really refreshing from the piles of novels where the woman is stereotypical in practically every way. A bit like Kathy Reichs' series, there is nothing Smilla cannot do and is not willing to try to discover the truth.

A challenging read, this novel is intriguing and while you may have to put it down sometimes, you'll definitely want to finish it.

July 4, 2016

Rolling Stone's Best Horror Movies of 2015: Reviewed

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I am an unequivocal horror movie fan. I'm not sure why I still love them, considering that true horror quality is difficult to come by in this age of the gruesome and gory 'torture porn' films such as 'Saw', 'Hostel', and 'Vile', the latter of which I didn't even bother finishing. And don't even get me started on 'rape revenge' horrors: give me something that makes the hairs rise up on the back of my neck, startles me either physically or mentally, or gives me something to think about.

I've been planning to do this post since the beginning of the year after wandering around the net in search of good horror movies. I came across Rolling Stone's list of top horror movies of 2015 and decided to watch each one. I have finally done so and have been pleasantly (or should I say horrifically) surprised to find that character development and plot have really begun to change the horror landscape. While we still find some low-budget mumblegore films, we are also being offered up really thoughtful and almost genre-defying films, and here are my thoughts on the movies that were included.

10. The Final Girls

Not to be confused with 'Final Girl', which also came out in 2015, 'The Final Girls' is a horror spoof/parody of the classic film series 'Friday the 13th'. Using the same premise of a serial killer on the loose at a summer camp, this slasher film has no real surprises. Except of course for the fact that all the characters are stuck inside a film and must figure out how to escape. It is also much more than a terrible spoof of slasher films: the dialogue is clever, the transitions are smooth, and the film simply makes fun of the horror film tropes that have been stock standard plot points since slashers began, in particular the stereotypical plot point that highly-sexualised female teens (or at least those who reveal their naked bodies) are certainly among the first to take their leave. It is only the virgin who can overcome the evil of such a serial killer. This horror-comedy also flawlessly manages to make the characters real and thoughtful instead of simply waiting for their time to die.

My rating: 4 out of 5

I would like to make a mention of 'Final Girl', however. A think-piece in my opinion, it sees a young girl trained as the ultimate weapon against serial killers. She is basically a highly skilled lure for men who cannot resist being cruel and brutal to innocence. It did not receive good ratings in general, perhaps because as the viewer you're sort of dumped into a plot with no real backstory for any of the characters. Personally I loved the film noir-style of the cinematography. It also makes one question the state of a world where we cannot hope for justice unless we take it into our own hands, a place where we can only defeat brutes by becoming one ourselves.

9. The Visit

M. Night Shyamalan's foray into handheld horror was 'The Visit'. In what seems like an innocent weekend away with their grandparents, a brother and sister are faced with increasingly bizarre behaviour by both of their elders. As with all handheld horrors, the film suffers from being too focused on the mundane throughout but the thrills are quite scary and the inevitable twist even more so. Shyamalan's view of the world - that everything is based on belief - is important for this film's premise because the two have never met their grandparents and simply believe what they have been told. Isn't that what belief is?

My rating: 3.5 out of 5

8. When Animals Dream

For those who love the idea of werewolves, 'When Animals Dream' is a really interesting film to watch. For those who love to see werewolves, this is perhaps not your style. The first foreign film on the list, it takes place on a small fishing island where its teenage protagonist finds herself feeling more and more out of sorts with the people in her lives. The zeitgeist of the failing town appears to be indulgent of her as well as malicious towards her. She begins to feel her body changing, and it is not just a sexual awakening for her.  While visually appealing, the film's drawbacks include a slow pace and low character investment on our parts. The story is interesting enough to keep us curious but it doesn't really deliver on its promises in the horror genre. It should really be considered a supernatural thriller instead.

My rating: 3 out of 5

7.  We Are Still Here

So to be honest I'm not really certain why 'We Are Still Here' has received such rave reviews. I was utterly bored with it. There were no real surprises for me. It certainly had its positive points, such as enticing moments of tension, creepy shocks, great special effects, and an interesting take on haunted houses in general, but I think these don't outweigh my impression of the gore being the drawcard rather than an interesting story and appealing characters. If you're looking for a good replacement for this spot, I would suggest 'Visions',  which is scary and has a lovely twist.

My rating: 2 out of 5

6. Crimson Peak

I enjoyed this haunted house film much more. 'Crimson Peak' is a gothic horror with intriguing characters and good acting (Mia Wasikowska is amazing in these types of roles - check out 'Jane Eyre' or 'Stoker' if you're interested), a beautiful and unique setting, amazing costumes, and tension and scares. The haunting is artfully done, the story is well put together and the plot twist is memorable and disturbing. You should enjoy this one.

My rating: 4.5 out of 10

5. The Falling

This is certainly one of the more stranger films on the list, not only because it's one of the weirdest movies I've every seen but also because it isn't a horror in any sense. It's not even a haunting. 'The Falling' is set at an English school where a mystery fainting illness appears to come over a group of girls involved with Abbie, the blonde favourite of both girls and boys. Abbie dies after fainting mysteriously. The friends she left behind are grieving her loss, particularly Lydia, who goes on a downward spiral, rebelling against the teachers at school and her mother, who strangely never leaves their home and making every effort to be close to Abbie again. It's a slow film and even worse, the mystery of the fainting sickness is never revealed. This was interesting but really made no sense eventually. And I think the marketing was a little deceiving, as you can see from the cover.

My rating: 2.5 out of 5

4. Spring

This is definitely one of my favourites in this list. 'Spring' tells the story of a young man who has lost his purpose in life and leaves the US for Italy. Here he falls in love with a woman in a plot much like that of 'The Necessary Death of Charlie Countryman'. The exception is that this woman is no normal pixie fairy love interest. She is actually something not of this world and the pair have to decide whether love will save them both. This independent film is artfully done and while it starts off slowly, it is all worth it in the end. The horrific moments are elegant without being artsy and the characters are also well-performed. This horror, if you haven't seen it, should be on your list.

My rating: 4.5 out of 5

3. What We Do In The Shadows

I loved this film for its unique outlook on the 'modern' vampire. Melding together historical and nouveau ideas of what vampires are, 'What We Do In the Shadows' is a documentary spoof of the domestic lives of a bunch of vampires living in Wellington, New Zealand. From 'Nosferatu' to 'Dracula Untold' and 'Interview With the Vampire', there is a type of vamp for everyone. Throw in some hilarious biting mishaps, virgin meals, werewolves, and an annual ball and you have a creative comedy that will make you giggle. Its only drawback is that it can be a little slow.

My rating: 4 out of 5

2. Goodnight Mommy

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This film definitely belongs on every best horror movie of 2015 list. 'Goodnight Mommy' is an Austrian film following the lives of twin brothers who don't believe their mother, who has just returned from plastic surgery, is truly their mother. They begin to torture their mother emotionally and physically, waiting for her to admit who she really is. But all is not as it seems and the truth of the matter is well worth reading the subtitles for!

1. It Follows

Also another film deservedly on this list, it is certainly one of the most disturbing. Playing on the concept of catching an illness from someone during intimate moments, 'It Follows' is truly terrifying. Jay is plagued by a some...thing following her at ever turn. No matter where or how fast she runs, it will catch up to her. This film is filled with suspense and uncertainty, and instead of relying on shock value for its ratings,the focus is on the tension, visuals, and the music, the latter being a detail that many horror films are forgetting about.

My rating: 4 out of 5

Have you seen any of these films and disagree with my rating or viewpoint? I'd love to know what you think! Please comment below!

June 21, 2016

Refashion || Men's shirt to more feminine blouse

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The ubiquitous man's shirt is a staple at thrift stores. This one my husband threw out and I liked the colouring. How to make it more feminine? Well, aside from tailoring it a little, add a feminine fabric. I decided to swap the sleeves for a textured chiffon in a coordinating colour.

What you'll need for this project:

A thrifted man's shirt
A thread ripper
About a metre of chiffon in a matching colour
Matching thread
A blouse that fits you or a pattern

How to refashion the shirt:

Remove the sleeves with your unpicker and also loosen the side seams.
Cut out a new place for the sleeve using your blouse or the sleeve of a blouse pattern. Use that same pattern to cut out a sleeve from the chiffon.

Pin the seam towards the neckline so it cannot be seen through the fabric and sew it down. It should look like the below image.
To add some more femininity to the shape, I made small Bishop's sleeves by adding cuffs. To do so, cut strips of chiffon about 7cm wide and as long as the width of the position on your forearm where you want the sleeve to end. Gather the bottom of the sleeve and sew the cuff.
I made the shirt only a little shorter than it had been initially, since I liked the length already, and also tailored the sides for a feminine fit.
The end-product is quite pretty, I think. It might also serve as a light cover-up for a cool summer's evening. I haven't worn it yet, though, but I seem to have a phobia for wearing clothes I've made for myself. Anyone else suffer from that?

June 17, 2016

Book Review || Rosemary's Baby by Ira Levine

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I actually wish that I had not seen a film version of 'Rosemary's Baby' before I had read the book. This review falls straight into my conundrum of whether to read the book first or watch one of the movies first. I wish I had read 'Rosemary's Baby' before I watched the film.

While Ira Levine's writing is quirky and sharp, the parts of the plot that all add up to the inevitable twist at the end are simply ruined having watched the film first, since the films are practically exactly the same. It is certainly a horrific story and I truly believe I would have enjoyed the novel more had it not been spoiled for me. Don't get me wrong - I enjoy watching films based on books for the different interpretations one may be exposed to and the simpler, visual joys offered up. However, for such a psychological and supernatural thriller, the book would have been spine-tingly wonderful. Had. I. Read. It. First. Particularly since the film brings nothing more to the story and simplifies it into a cutthroat horror.

But not all was lost.While the film versions faithfully represented the context and plotline of  'Rosemary's Baby', right down to the apartment porn, the story itself is really a much deeper commentary on society at large than the films are. While the film versions have a greater focus on the terror Rosemary experiences as she discovers the truth, in the novel we are given a more intimate look into Rosemary's relationships and the inner workings of a patriarchal society that simply views Rosemary - and women - as chattel.

Rosemary represents those mid-century women suddenly no longer needed for war efforts, suddenly spending all their time with their husbands or homemaking or making food for said husband. Her relations with Guy echo interactions reminiscent of those infamous adverts in vintage magazines representing husbands punishing their wives for failing to make dinner properly, his smacks on her bottom when breakfast is late and sarcastic remarks made only half-jokingly.

While Guy might adore his wife, his lust for fame and fortune go beyond his feelings for her. He not only allows her to be drugged and raped, isolates her from her family and friends, forces her to endure a friendship with the Castevets and months and months of pain, insists she is overreacting at every turn, but also shies away from her affections as if she is to blame for carrying a supernatural baby. And then after she discovers what she believes is the truth, escaping to seek help, her husband and crazy doctor are called up to fetch her, because she is nothing but a hysterical woman anyway.

We read the novel with the time period and place in mind, but this is the scariest thing about the story. How would you feel knowing the person you trusted the most had allowed this to happen to you and your body without your consent for their own benefit? How would you feel being forced to go to a particular doctor, forced to take particular drinks, forced to endure months of pain because you apparently don't know better? And then right at the end when you cannot take any more you are handed right back into the hands of your abusers because you apparently don't know any better?

It is also frightening that these notions about women continue today. Why else is there still a struggle for pay equality? Why are women looked down upon for choosing career over family, indeed for choosing not to have children at all? Why are women in the workplace suddenly less valuable when they have children? Why is Hillary Clinton criticised for supposedly not being as a mother should be? Why are women who raise complaints, even ones of a sexual nature, told they are being too sensitive? Why can women not raise their voices in meetings? Why can a rape case result in an extremely lenient sentence so that the rapist's future is not jeopardised? How can women consistently report violence by a man and be ignored? And this is just in Western society. Imagine what it is like in Somalia where a girl's body is so much not her own that they can mutilate her genitals? How afraid girls in Limpopo must be at night when they may be kidnapped by older men, married off, and basically enslaved for the rest of their lives? How women are murdered by family for choosing a different husband? Of course, the latter are extreme versions of patriarchy, but you get my drift.

There is nothing scarier than having our bodily autonomy, our choices, overrun by others, and the fact that everything she experienced was an entirely plausible reality is what makes 'Rosemary's Baby' truly frightening.

Looking even more deeply into the story we see how Rosemary's motherhood has been wrested from her body and placed in the hands of those proverbial doctors who decided they knew everything about women's bodies while hardly wanting to look at them. At the same time, the novel honours motherhood, constantly pointing to and affirming Rosemary's instincts that something is not right about her baby and her situation. Her single interaction with women not involved in the coven confirms all her fears but she can still not act. Indeed, her only real decision considering her situation is when she looks at the baby she bore and decides to be its mother, decides to take what is owed to her after giving her body and her autonomy.

Certainly the victory of 'Rosemary's Baby' is how immersed the reader becomes in Rosemary's world - the mundane details of her upper-middle-class life are so real that we can not help but question whether what must be hysteria or paranoia is as real as the snowflakes falling outside or the swordfish steaks Rosemary purchases from the store. It is only at the end that the ghastly truth is revealed, but Rosemary takes possession of the only thing remaining to her, the only thing that is real: a baby.

Further Reading:

Why Rosemary's Baby Still Matters 47 Years Later
Ira Levin’s Creepy Valentine: Rosemary’s Baby and the Power of Place

June 15, 2016

Book Review || The Reflections of Queen Snow White by David Meredith

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I have always been intrigued by folk and fairy tales - their universal appeal over centuries says much about the common threads that guide us humanfolk through our lives and each other's. I also love reimaginings of the classic tales, such as the films 'Ever After' or 'Maleficent'. However, there are not many brave enough to attempt to recreate the happily ever after that our favourite princesses long for, happily ever afters that seem to end on the day of a wedding. Perhaps this is because we all inwardly scoff at the possibility that happily ever afters can exist, especially between couples who have barely said a word to each other.

However, David Meredith is one such brave soul who, in 'The Reflections of Queen Snow White', manages to take us beyond the wedding day to reveal the strength of character of all the main actors in the classic fairy tale as well as to prove that happily ever afters are entirely possible.

In his intuitive novel, we find Snow White - now a queen and mother - grieving for Charming, who has peacefully passed away. She is certain that any possibility at a happy ending for her has been under siege since the day she was born. Lost in her melancholic thoughts, she has isolated herself from her closest family and friends and also her subjects. Wandering through her castle, she comes across the exquisite gilded mirror that was to blame for the punishment rent upon her by her stepmother. It turns out that the mirror merely reflects that which is shown it, and it is up to Snow White to decide how she will see herself for her remaining days.

A quick and enjoyable read, 'The Reflections of Queen Snow White' inspires us to consider how much we place our own worth on what we allow the mirror in front of us to reflect. When faced with her victories, Snow White demeans herself, believing she did nothing without Charming to aid her. Memories take hold of Snow White but it is how she deals with them, how she interprets them, that creates her world and her future. I loved this idea for the mirror: how it in reality did nothing but reflect the Snow White's stepmother's greatest fears and it was she who made choices about what to believe and how to act, not really being influenced by the mirror in any way.

'The Reflections of Queen Snow White' encourages us to take a step back from our wild emotions, our painful memories, and judge them with the wisdom that comes from retrospection.

In a way, Snow White's journey into her past with the mirror is a trip through the grieving process for her but she is not grieving for Charming in her travels - she is grieving for her strength and wisdom that she overlooked with Charming at her side. She denies that she ever had her own agency, becomes angry with the mirror for suggesting as much, bargains for it to stop showing her her truth, returns her to the helplessness and loss of faith in herself that she felt after Charming's death, and finally takes her to a point where she can accept her own power.

'The Reflections of Queen Snow White' is a reminder that our inner strength and power comes from nowhere but ourselves and it is up to us to make choices that will determine how we see our past and how we make our future.

Interested in reading the novel? Find it on Amazon here.